ToM1  

Model of celestial theatre based on the ideas of

Renaissance philosopher, Giulio Camillo

 

Kate Robinson and Carl Smith, 2001

 
ToM2  
   
ToM3  

 

Hundreds of images based on Giulio Camillo's L'Idea del Theatro are shown inside a virtual reality construction.

 

 

 
         
ToMs1 ToMS2 ToMS3    
   
ToMS6 ToMS4 ToMS8    
   
ToMSq ToMS5 ToMSw    
   
ToMS7 ToMSt ToMS9    
   
ToMSr ToMSe ToMSr    
Each of the images in Giulio Camillo's sixteenth century work, L'Idea del Theatro, has a specific meaning based on its location within the Theatre.  
ToMSu ToMSy ToMSi    
         
ToMSo ToMSp ToMSp    

Camillo describes the universe in mythical and visual terms.

His sources are Biblical, Classical, from Cabbalah, from astronomy to everyday life.

   
ToMSa ToMSs ToMSd    
         
ToMSd ToMSf ToMSf    
         
ToMSg ToMSg ToMSh    
         
ToMSh ToMSg ToMSj    
         
ToMSk ToMSl ToMSz    

The painter, Titian, worked with Camillo. He painted a series of drawings to accompany Camillo's L'Idea del Theatro.

Sadly, these images perished in a fire at El Escorial in 1671.

   
ToMSc ToMSv ToMSb    
         
ToMSb ToMSn ToMSn    
         
ToMSm ToMSqa ToMSqs    
         
ToMSqd ToMSqw ToMSqe    
         
ToMSqr ToMSqt ToMSqy    

Camillo's aim is to create a vast network of visual relationships.

The Theatre works through imaginative association.

   
ToMSqu ToMSqi ToMSqi    
         
ToMSqp ToMSqd    
         
   
         
   
         
   
         
   
         
This virtual reality model incorporates contemporary images by Kate Robinson inspired by Camillo's text and digital copies of Robert Fludd's Utriusque Cosmi, published in 1617    

 

       
ToM4  
   
The images on this page are stills from a virtual reality model that moves in space.  
   
ToM6  
   
ToM5